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“A world of material splendour”. Walter Pater and the paradox of Greek sculptural polychromy
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De-gild, re-gild, erase. The decorations of Paleo-Christian churches (4th-6th century). The morals of religion and the political discourse of erasure and obliteration – the role of materials
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Ritual practices of ‘preservative’ obliteration in the Iron Age. An archaeological perspective on the choice of colours and materials
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Technology in the arts, humanities and cultural heritage
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Colour, radiance and meaning. A semiological perspective on Greek Archaic Korai
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Architecture and the radiance of Greek sculpture
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The eternal life of the painting: obliteration versus the brilliance of the artist’s genius
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Brilliance and the imprint: Roman mural painting, an architectural epidermis
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Matte surfaces: meaning for audiences of 18th-century pastel portraits and the implications for their care today
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All that glitters is not gold…
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L’éclat: the scientific challenges of an extinguished brilliance
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Istanze di rinnovamento nel restauro dell’antico intorno al 1675-1680. Il caso del Fauno Barberini
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Scultura lignea veneziana della prima metà del Quattrocento. Il Cristo passo delle Gallerie dell’Accademia
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La tecnica pittorica dei dipinti su tavola in Boemia tra il 1400 e il 1420
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L’Atto di aggregazione del SS. Crocifisso di Vittoria. Una nuova proposta conservativa per i documenti su pergamena
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La scultura del Patagone. Studi e restauro
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