Proceedings Book di ESRARC 2019

Descrizione

Proceedings Book ESRARC 2019: 11th European Symposium on Religious Art, Restoration & Conservation, Valencia, 11^th – 13^st April 2019

KEYNOTE LECTURES 

• THE BIBLICAL TEXT FOR EIGHT OLD TESTAMENT PROPHETS PAINTED IN SAINT GEORGE CHURCH FROM SUCEAVA

  Melniciuc-Puică Ilie

  p. 18 

• FROM ΔΗΟΜΈΝΗ TO MADONNA DELL’ITRIA…AND VICEVERSA. TWO MARIAN ICONOGRAPHIES SUPERIMPOSED IN A ‘PALIMPSEST WALL’ OF MARSALA (TP) Travagliato Giovanni

  p. 22 

• DOCUMENTATION AND ANALYSIS OF THE COLOURS IN THE ARCHITECTURAL ELEMENTS OF THE ST. SEPOLCRO OF ACQUAPENDENTE (ITALY)

  Lanteri Luca, Agresti Giorgia, Vaccarella Corrado, Pelosi Claudia

  p. 26 

• THE 16TH CENTURY TRYPTIC OF SANTA LIBERATA: DIAGNOSTICS AND RESTORATION

  Avanzati Daniele, Saccuman Roberto, Agresti Giorgia, Faieta Rosangela, Caliano Eduardo, Pelosi Claudia, Lo Monaco Angela

  p. 30 

• DENDROCHRONOLOGICAL DATING OF THE TIMBER ROOF OF THE BASILICA DI SANTA CROCE IN FLORENCE

  Bernabei Mauro, Brunetti Michele, Nocetti Michela, Strappafelci Simone, Macchioni Nicola

  p. 34 

• COLOUR AND CULTURE IN THE LOWER GALILEE OF THE SECOND TEMPLE (I- II CENTURIES A.C.): THE STUCCOS AND PIGMENTS OF THE SYNAGOGUE OF ANCIENT MAGDALA

  Vázquez de Ágredos-Pascual María Luisa, Expósito de Vicente Cristina, Zapata-Meza Marcela

  p. 37 

• THE PERIPATOS. AN ANCIENT CULT ROAD AT THE SLOPES OF THE ACROPOLIS AND LYKOURGOS’ RENEWAL POLICY

  Rubel Alexander

  p. 41

• MARKETING SPECIFIC FOR ORGANIZING RELIGIOUS FESTIVALS

  Čábyová Ľudmila, Hrušková Alena

  p. 45

• GLOBALIZATION IN RELIGION

  Hekelj Marija

  p. 49

SOCIO-SPIRITUAL VALUES OF THE RELIGIOUS ART 

• THE WOLF IN THE RELIGIOUS ART OF THE MIDDLE AGES. THE ABSENCE OR PRESENCE OF GOD

  Perez Ochando Luís, Requena Jiménez Miguel

  p. 53 

• THE CIRCULATION OF ALABASTER VERSIONS OF THE MADONNA OF TRAPANI IN THE MEDITERRANEAN AREA (SICILY, MALTA AND SPAIN). AN ARTISTIC, CULTURAL, RELIGIOUS AND SOCIAL PHENOMENON OF THE MODERN PERIOD

  Cruciata Roberta

  p. 56 

• RELIGIOSITY AND DEVOTION IN THE RENAISSANCE LIBRARY OF RODRIGO DE MENDOZA, 1^ST MARQUIS OF CENETE

  Ferrer del Río Estefanía

  p. 59 

• GEOGRAPHY OF VALENCIAN BAROQUE SGRAFFITO. A CONTEMPORARY LANDSCAPE OF LIGHTS AND SHADOWS

  Ferrer Orts Albert

  p. 63 

• THE TREASURE OF THE SANCTUARY OF SAINT ROSALIA IN PALERMO. RECOVERY AND MUSEALIZATION

  Mercadante Salvatore

  p. 67 

• BETWEEN SACRED AND PROFANE. RELIGIOUS ART IN SICILY IN THE DIARY OF A SPANISH TRAVELER OF THE EIGHTEENTH CENTURY

  Intorre Sergio

  p. 70 

ICONOGRAPHY AND ICONOLOGY 

• WATER RITUALS IN ANCIENT MAYA CULTURE

  Vidal-Lorenzo Cristina, Horcajada-Campos Patricia

  p. 75 

• JUDAISM IN THE CHANGE OF ERA – INFLUENCES AND EVOLUTION. THE RELEVANCE OF ICONOGRAPHY AND ARCHITECTURE FOR THE 1ST CENTURY SYNAGOGUES

  Seijas Guadalupe, Fernández Vallina Francisco Javier

  p. 78 

• ICONOGRAPHY AND SYMBOLISM OF A ROMAN ENGRAVED GEMSTONE FROM THE JEWISH CITY OF MAGDALA (ISRAEL, FIRST CENTURY AD)

  Ozcáriz-Gil Pablo, Zapata-Meza Marcela

  p. 81 

• JEWISH, HELLENISTIC AND ROMAN SYMBOLS IN THE ANCIENT COINS FOUND IN THE ARCHAEOLOGICAL SITE OF MAGDALA, ISRAEL

  Garza–Díaz Barriga Andrea

  p. 85 

• THE IMPORTANCE OF THE MATERIAL FIGURE IN ANCIENT RELIGIOUS CULT. THE IMAGES OF CHRIST OF THE FIRST CENTURIES

  Mateo Amparo p. 88 

• IMAGES OF REVENGE IN THE CENTENAR DE LA PLOMA ALTARPIECE: VISUALIZING THE SARACEN

  Granell Sales Francesc p. 91 

• THE PRESENCE OF THE ‘PIETÀ’ IN THE ART OF THE TWENTIETH CENTURY

  Torres Sastrús Vega

  p. 95 

• THE WORD’S NEW FACES. VIDEO ART AND CHRISTIAN IMAGERY

  Sebastián Lozano Jorge

  p. 99

CONSERVATION, RESTORATION AND DIAGNOSTICS OF RELIGIOUS CULTURAL HERITAGE 

• MICROCLIMATE MONITORING IN THE MUSEUM OF COLLE DEL DUOMO IN VITERBO (ITALY)

  Lanteri Luca, Pelosi Claudia, Lo Monaco Angela

  p. 104 

• COLOUR ANALYSIS AND MURAL ARCHAEOLOGY FOR A RESTORATION AND CONSERVATION PROJECT FOR THE WALLS OF THE CHURCH OF SANT JAUME IN LA POBLA DE VALLBONA (VALENCIA). PROJECT FOR THE RESTORATION OF THIS MEDIEVAL BAROQUE CHURCH

  Alba Pagán Ester, Vázquez de Ágredos-Pascual María Luisa, Griñena Pablo

  p. 108 

• THE PEPERINO OF VITERBO IN THE RELIGIOUS AND HISTORICAL BUILDINGS: CHARACTERIZATION AND CONSERVATION

  Paucecch Antonio, Santamaria Ulderico, Piscopo Vincenzo, Agresti Giorgia

  p. 113 

• BEHIND THE LIGHT. PINK-LAKE PAINTS’ CHARACTERIZATION ON A 16TH CENTURY ILLUMINATED ANTIPHONARY HELD BY THE BIBLIOTECA PÚBLICA DE ÉVORA – A SPECTROSCOPIC APPROACH

  Miguel Catarina, Barrocas-Dias Cristina, Manhita Ana, Ferreira Teresa, Fialho-Conde Antónia, Candeias António

  p. 117 

• THE BOTANICAL SPECIES IN THE MARQUETRY DECORATIONS OF THE WOODEN CHOIR OF SAN RUFFINO CATHEDRAL IN ASSISI

  Mancini Tiziana, Balletti Federica, Schirone Avra, Pelosi Claudia, Lo Monaco Angela

  p. 121 

• ETHICS AND AESTHETICS IN THE INTERVENTION OF A SCULPTURE OF ‘THE MADONNA AND CHILD’

  Sarrió-Martín María Francisca, Bertomeu-Contreras Luis

  p. 125 

• THE IMMACULATE CONCEPTION AND THE JURORS OF VALENCIA (1662). HISTORICAL RESEARCH, TECHNICAL ANALYSIS AND CONSERVATION

  González Tornel Pablo, Sarrió-Martín María Francisca, Gimilio Sanz David, Ineba Tamarit Pilar, Alba Pagán Ester, Chuliá Blanco Inmaculada, Juanes Barber David

  p. 128 

• AGATHA, APOLLONIA, MAGDALENE AND ROSALIA. THE RESTORATION OF FOUR PAINTINGS OF THE MOTHER CHURCH IN PARTINICO AND THEIR ENHANCEMENT

  Vitella Maurizio, Panzavecchia Loris

  p. 131 

• THE BIODEGRADATION OF WOODEN CHURCHES. CASE STUDY: THE ‘ASSUMPTION OF THE VIRGIN MARY’ CHURCH, DELEȘTI, VASLUI COUNTY (ROMANIA)

  Moşneagu Mina-Adriana

  p. 135 

• HISTORY NEVER ENDS UP TO BE WRITTEN. ARCHITECTURE AND ARCHEOLOGY IN THE RESTORATION OF THE WINTER CHOIR AND THE BALCONY OF THE BASILICA OF SAN CLEMENTE IN ROME

  Cerro Romano

  p. 139 

• ANALYSIS ON A BOOK OF PSALMS PRINTED AT NEAMȚ MONASTERY (NEAMȚ COUNTY OF ROMANIA) IN 1824

  Melniciuc-Puică Nicoleta, Agresti Giorgia, Ardelean Elena, Pelosi Claudia, Lo Monaco Angela

  p. 143 

• RECOVERY OF A CULTURAL IDENTITY. RESTORATION OF A 1895 GOSPEL

  Ardelean Elena, Melniciuc-Puică Nicoleta

  p. 147 

• TECHNOLOGICAL TOOLS FOR THE CONSERVATION OF SILK HERITAGE: IMPROVING THE CONSERVATION OF EUROPEAN RELIGIOUS TEXTILE CULTURAL HERITAGE

  Alba Pagán Ester, Fernández Marcos, Gaitán Mar, León Arabella, Portalés Cristina, Sebastián Lozano Jorge, Sevilla Javier

  p. 151 

• RESTORATION AND RELIGIOUS ART. INTERVENTION ISSUES ON A WORK OF RELIGIOUS ART

  Montagnolo Irene, Baratin Laura, Ciardi Maria Rita

  p. 155 

• STUDY OF DAMAGE IN THE FAÇADE OF SANTA CATALINA CHURCH (SEVILLE) AND ASSESSMENT OF NEW NANOLIMES DOPED WITH QUANTUM DOTS FOR ITS CONSERVATION

  Becerra Javier, Ortiz Pilar, Ortiz Rocío, Zaderenco P. Ana

  p. 159 

MATERIALITY AND MEANING IN RELIGIOUS ART AND ARCHITECTURE 

• THE SYNAGOGUE OF MAGDALA. FROM THE ARCHITECTURAL REMAINS TO ITS SOCIAL MEANING

  Domínguez Beltrán de Heredia Idoia C., Zapata-Meza Marcela

  p. 164 

• THE MIKVA’OT OF MAGDALA. RELIGION, LAW AND MEANING FOR THE JUDAISM IN GALILEE (1ST AND 2ND CENTURY CE)

  Zapata-Meza Marcela

  p. 167 

• THE MOSAIC FLOOR FROM THE RITUAL AREA IN MAGDALA, GALILEE

  Sanz-Rincón Rosaura

  p. 170 

• A CONSERVATION EXPERIENCE IN THE TOWN OF MAGDALA, ISRAEL

  Sieiro Gonzalo

  p. 174 

• THE AESTHATICS OF THE MIHRAB IN THE ARABIAN GULF MOSQUE. A CASE STUDY OF THE HERTIAGE MIHARB IN NAJD AND OMAN

  Al-Khalifa Haifa

  p. 177 

• A ROMANESQUE CAPITAL FROM THE CHURCH OF SAINT SILVESTRO IN VITERBO

  Sindoni Salvatore

  p. 182 

• THE REUSE OF THE ECCLESIASTICAL ARCHITECTURE ELEMENTS. THE CASE OF THE ROMANIC ARCH EXPOSED IN THE MUSEUM OF COLLE DEL DUOMO IN VITERBO

  Sorrentino Claudia

  p. 186 

• A MAP OF SPIRITUALITY: THE CHAPELS OF VALENCIA CATHEDRAL IN THE LATE MIDDLE AGES

  Mandingorra Llavata María Luz, Pons Alós Vicent

  p. 190 

• THE MEASURE OF CHRIST IN THE CATHEDRAL OF VALENCIA. UNVEILING THE ITALIAN-LIKE TECHNICAL PROCESSES OF AN EXTRAORDINARY PAINTED SENDAL

  Zalbidea Muñoz María Antonia, Rubio Mifsud Aurora, Castiñeiras González Manuel Antonio

  p. 193 

• IMAGE AND MATTER IN MARIAN SCULPTURE OF VALENCIA. REPRODUCIBILITY AND RELICS

  Mocholí Martínez María Elvira

  p. 197 

• A LOST JOOS VAN CLEVE’S MODEL? MULTI-BAND TECHNICAL IMAGING IN THE STUDY OF AN UNKNOWN FLEMISH RENAISSANCE PAINTING

  Martí Egea Jésica, Herrero-Cortell Miquel

  p. 201 

• NE’ CARTONI SI VEDE IL GIUDIZIO DI TUTTA L’OPRA INSIEME”. VASARI’S ‘DEPOSITION’, UNDERDRAWING, COMPOSITIONAL CHANGES AND LITERARY SOURCES

  De Ruggieri Maria Beatrice, Cardinali Marco

  p. 205 

• THE BENEDICTINE CHURCH AND MONASTERY OF SANTA MARIA MADDALENA OF CORLEONE. WORKS OF ART AND DOCUMENTS

  Margiotta Rosalia Francesca

  p. 208 

• COLLECTING ECCLESIASTICAL VESTMENTS. ATELIER DE FORTUNY

  Roca Cabrera María

  p. 212 

SPACE, CULTURAL HERITAGE AND DEVELOPMENT 

• SYMBOLOGY AND CONSERVATION IN THE MONASTERY OF TEJEDA (SPAIN)

  Jiménez Hernández Pablo, Carabal-Montagud María-Ángeles

  p. 217 

• PROJECTION OF THE MODEL OF EL ESCORIAL. THE STORIES OF JEHAN LHERMITE AND FRANCESCO BARBERINI

  Marcos Blanco Iria Virginia

  p. 220 

• THE CHURCH OF SAINT ANDREW OF VALENCIA. STATE OF THE ISSUE AND RESEARCH’S OBJECTIVES

  Gaetano Giannotta

  p. 223 

• TOWERS, BELLS AND BELL RINGINGS. THE RECOVERY OF A TRADITIONAL COMUNITARIAN MUSIC

  Martínez Roig Eliseo

  p. 226 

• GEOGRAPHIC INFORMATION SYSTEM APPLIED TO THE ECCLESIASTICAL ARCHITECTURE BOMBED DURING THE SECOND WORLD WAR: THE CASE OF VITERBO

  Lucchetti Luca, Noto Miriam

  p. 228 

• SENSED ATMOSPHERE OF THE SACRAL STRUCTURES

  Kollárová Daniela, Ungerová Magdaléna

  p. 231 

SACRAL SIGHTS IN THE LIGHT OF TOURIST TRADE MARKETING 

• DEVOTIONS, RITES AND CUSTOMS IN THE ORIGIN OF THE CARPENTER TRADE CORPORATION IN VALENCIA

  Izquierdo Aranda Teresa

  p. 236 

• THE ALTARPIECE OF SAINT GEORGE OF ‘CENTENAR DE LA PLOMA’. IMMERSIVE VIRTUAL REALITY FOR THE VISIBLE AND NON VISIBLE ARTPIECE

  García Greta, Sáiz Mauleón Begoña, Contreras Zamorano Gemma María, Juanes Barber David, Catalán José Ignacio, Gandía Elena, Granell Sales Francesc, Ferrazza Livio, Soriano Alfonso, Jimenez Pedro

  p. 239 

• 3D REPRODUCTION OF THE RELIEF AND POLYCHROMY OF A 14TH CENTURY STONE TYMPANUM THE DOOR OF THE APOSTLES OF THE ARCHPRIESTAL CHURCH OF SANTA MARIA LA MAJOR IN MORELLA

  García Greta, Juanes Barber David, Contreras Zamorano Gemma María, Virasolvy Vicent, Ferrazza Livio, Bustos Jesús

  p. 243 

• RELIGION AND CIVIL WAR. PARISH CHURCH OF LOS SANTOS JUANES DE VALENCIA

  Gris Marí María Amparo, Carabal-Montagud María-Ángeles, Santamarina-Campos Virginia

  p. 247 

• PRINCIPLES OF CHRISTIAN ETHICS AS CULTURAL HERITAGE AND THEIR APPLICATION IN COMPANY MANAGEMENT

  Bednárik Jaroslav

  p. 251 

• PRESENTATION OF NON-EXISITNG MONUMENTS THROUGH EXPANDED REALITY

  Blahút Dušan

  p. 254 

• SOUND. ITS ASPECTS AND ACOUSTICS IN CONNECTION WITH SACRAL BUILDINGS

  Brník Andrej

  p. 257 

• VIRTUAL TOUR AS A FORM OF MARKETING COMMUNICATION OF A SACRAL SIGHTS

  Hoghová Kristína

  p. 261 

• THE ROCÍO AS IDENTITY PATRIMONY IDENTIFICATION OF MATERIAL AND IMMATERIAL ASPECTS

  Ojeda Salmerón José-Manuel, Santamarina-Campos Virginia, Carabal-Montagud María- Ángeles

  p. 264 

• SHIFTS ON THE SCENE OF CULTURE POLICY IN THE EAST REGION

  Lukáč Michal

  p. 268 

RELIGIONS AND MEDIA COMMUNICATION 

• AN ANALYSIS OF A COUNTER-FRAME PROPOSED DURING THE ROMANIAN 2018 ‘MARRIAGE REFERENDUM’

  Grancea Ioana, Grancea Viorel

  p. 273 

• THEMES IN THE MAIN NEWSCAST OF COMMERCIAL AND PUBLIC MEDIA IN SLOVAKIA WITH REGARD TO RELIGIOUS REFLECTION

  Gažicová Alexandra

  p. 276 

• THE CATHOLIC PRESS DISTRIBUTED BY STREET-SELLING IN SLOVAKIA

  Gracová Slávka

  p. 280 

• SLOVAK CATHOLIC YOUTUBE CHANNELS: DO THEY USE THEIR FULL POTENCIAL?

  Šmotláková Jana

  p. 283 

• CATHOLIC MEDIA IN SLOVAKIA AND THEIR AUDIENCE ON SOCIAL NETWORKS

  Graca Martin

  p. 286 

• SLOVAK PILGRIMAGE SITES IN DIGITAL WORLD

  Ďurková Katarína

  p. 289 

• THE MEDIA COVERAGE OF POPE FRANCIS’S VISIT TO THE UAE IN THE SLOVAK PRINT MEDIA

  Hurajová Anna

  p. 292 

• RELIGIOUS AND CHURCH MEDIA AND THEIR POSITION IN THE MEDIA SYSTEM OF THE SLOVAK REPUBLIC

  Višňovský Ján, Ungerová Magdaléna

  p. 295 

• POPULARIZATION AND PROMOTION OF SACRAL MONUMENTS IN CZECH MEDIA

  Koudelkova Petra p. 299 

• THE ISTANBUL CONVENTION AND CATHOLIC DISINFORMATION

  Zavadilová Tereza

  p. 302 

• KATOLÍCKE NOVINY – TRADITIONAL NEWS OF CONTEMPORARY CHRISTIANS WITH 170-YEAR HISTORY

  Rigo František, Mináriková Juliána

  p. 305 

• THE POSSIBILITIES OF USING SOCIAL MEDIA AND SOCIAL NETWORKS IN RELIGION

  Bezáková Zuzana, Mendelová Dáša

  p. 309

• ONLINE RELIGION IN VIDEOGAMES

  Slavomír Gálik, Tolnaiová Sabína Gáliková

  p. 312

• AUTHOR INDEX

  p. 315 

• ESRARC 2019 – 11th European Symposium on Religious Art Restoration & Conservation

HONOR COMMITTEE

• Excma. y Magfca. Sra. Rectora María Vicenta Mestre Escrivà (Universitat de València, Spain) 
• Excmo. y Magfco. Sr. Rector Dan Casçaval (Rector of the Technical University “Gheorghe Asachi”, Iaşi, România) 
• Acad. Prof. Dr. Ing. Bogdan C. Simionescu (Vicepresident of Romanian Academy, România) 
• D. Javier Rivera Blanco (Subdirector G. del Instituto del Patrimonio Cultural Español) 
• Dña. Maria Floarea Pop (Director of Romanian Cultural Institute –Spanish Delegation) 
• Prof. Ulderico Santamaria (Director of Scientific Laboratory of Vatican Museums, Vatican City) 
• Prof. Pietro Zander (Director of Vatican Grottoes, Vatican City) 

SCIENTIFIC COMMITTEE

• Ester Alba Pagán (Universitat de València, Spain) 
• Mauro Bernabei (San Michele all’Adige, Trento, Italy) 
• Ľudmila Čábyová (Communications Faculty from Trnava, Slovakia) 
• Giovanni Cavallo (University of Applied Sciences and Arts of Southern Switzerland) 
• Gemma María Contreras Zamorano (Instituto Valenciano de Conservación, Restauración e Investigación del Patrimonio, Spain) 
• José María Cruselles Gómez (Universitat de València, Spain)
• Oana Adriana Cuzman (Institute for Conservation and Promotion of Cultural Heritage, Florence, Italy)
• Francisco Javier Fernández Vallina (Universidad Complutense de Madrid, Spain) 
• Laura Fuster-López (Universitat Politècnica de València, Spain)
• Marta García-Carrión (Universitat de València, Spain)
• Pablo González Tornel (Universitat Jaume I de Castelló, Spain)
• Emilio Iranzo García (Universitat de València, Spain)
• Francesca C. Izzo (Università Ca ́Foscari di Venezia, Italy)
• Felipe Jerez Moliner (Universitat de València, Spain) 
• Luca Lanteri (Università degli Studi della Tuscia, Viterbo, Italy) 
• Antonio C. Ledo Caballero (Universitat de València, Spain)
• Manuel Lomas Cortés (Universitat de València, Spain)
• Angela Lo Monaco (Università degli Studi della Tuscia, Viterbo, Italy) 
• Ilie Melniciuc-Puică (Al. I. Cuza University from Iaşi, Romania)
• Matilde Miquel Juan (Universidad Complutense de Madrid, Spain)
• Josep Montesinos i Martínez (Universitat de València, Spain) 
• Pilar Ortiz Calderón (Universidad Pablo Olvide de Sevilla, Spain) 
• Iken Paap (Ibero-Amerikanisches Institut, Berlin, Germany)
• Juan Francisco Pardo Melero (Universitat de València, Spain) 
• Claudia Pelosi (Università degli Studi della Tuscia, Viterbo, Italy) 
• Miguel Requena Jiménez (Universitat de València, Spain) 
• Alexander Rubel (Institute of Archaeology Iaşi, România) 
• Iulian Rusu (Gheorghe Asachi Technical University of Iaşi, Rumania)
• Ulderico Santamaria (University of Tuscia and Vatican Museums, Viterbo, Italy) 
• Virginia Santamarina Campos (Universitat Politècnica de València, Spain)
• María José Suárez Martínez (Head of Training, Institute of Historical Heritage, Spain) 
• Cristina Vidal-Lorenzo (Universitat de València, Spain)
• Pietro Zander (Fabrica di San Pietro, Roma, Città del Vaticano)
• Marcela Zapata-Meza (Universidad Anáhuac de México, México) 

ORGANIZING COMMITTEE

• Liviu Agavriloaie (Technical University “Gheorghe Asachi” of Iaşi, Romania) 
• Manuel Albaladejo Vivero (Universitat de València, Spain)
• Nicolae Apostolescu (“Gheorghe Asachi” Technical University of Iaşi, România) 
• Mihaela Braniste (Technical University “Gheorghe Asachi” of Iaşi, Romania) 
• Cristina Expósito de Vicente (Universidad Complutense de Madrid, Spain) 
• Andrea Garza Díaz-Barriga (Universidad Anahuac, México) 
• Nicoleta Melniciuc-Puică (Al. I. Cuza University from Iaşi, Romania)
• Daniel Muñoz Navarro (Universitat de València, Spain)
• Loredana Pintilie (Technical University “Gheorghe Asachi” of Iaşi, Romania) 
• Rosaura Sanz-Rincón (Universidad Anahuac, México) 
• Gabriel Dan Suditu (“Gheorghe Asachi” Technical University of Iaşi, România) 
• Sergio Valero Gómez (Universitat de València, Spain)
• Luís Vives-Ferrandiz (Universitat de València, Spain)