Interessantissimo articolo scritto da Sarah Cascone pubblicato su ArtNews il 17 gennaio 2023 @ ArtNews
After 20 years of restoration, Pompeii has reopened the House of the Vettii, allowing visitors to see its erotic frescoes in the richly painted villa for the first time in two decades.
Those details include a depiction of Priapus, the Greek god of fertility and abundance, with a massive erection, weighing his turgid phallus on a scale against a hefty bag of coins. The seemingly obscene image would have served as a symbol of the homeowners’ prosperity.
The House of the Vettii was the home of Aulus Vettius Conviva and Aulus Vettius Restitutus, two freed slaves who made their fortune selling wine. Historians previously believed the two were brothers, but their shared name probably comes from their former owner.
“The owners, freedmen and ex-slaves, are the expression of a social mobility that would have been unthinkable two centuries earlier,” Zuchtriegel said in a statement. “Their wealth stemmed from commerce in agricultural produce from the territory around Pompeii, but it would appear that prostitution was also practiced in their house by a Greek slave woman who belonged to the most deprived groups of society.”
Evidence of the Vettiis’ rise in society includes bronze and marble sculptures and other ornate furnishings.
More erotic paintings—a common subject in Pompeii that currently has its own exhibition at the archaeological park—can be found in a room off of the kitchen in the part of the home that would have served as quarters for enslaved members of the household, accessible only through a heavy iron door. An inscription on the wall of the entrance hall appears to be an ad for Eutychis, “a Greek woman of pleasant manners,” her services available for two copper coins. Experts now believe that the room would have been used as a small brothel.
Following the temporary reopening of the building’s atrium and entrance hall in 2016, the full home is now welcoming visitors to the ancient city, frozen in time after the eruption of Mount Vesuvius in 79 A.D. buried it in ash.
“The bright colors and a myriad of details covered by the layers of wax during the 20th-century restoration have re-emerged,” Arianna Spinosa, Pompeii’s director of restoration work, told the Art Newspaper.